Wínyan
Photo essay on Oceti Sakowin winyan rooted in collaboration and consent.
Our Oceti Sakowin winyan have done everything to hang onto what our ancestors created for us through our own dystopia, our attempted genocide. Our winyan have hung onto so much of the way we were, despite everything we had to go through and are still going through. We need projects like this to remind ourselves that there is still good in the world, no matter how many times we have been told the world is ending, we are still here.
The series is a contemporary representation of Oceti Sakowin winyan, more colonial known as Sioux Nation. The series was born out of misrepresentation in modern media of our people and as an answer to providing context on the reclamation of contemporary identities of indigenous winyan.
This is a series representing our kinship and ties to what it means to be Oceti Sakowin. This is a series encompassing all the ways it means to be a winyan.
Adrienne Zimiga
“My stories, probably about my grandmother and her mother, my great grandma, Elizabeth. There are times I catch myself just,… I have a picture of her at my desk and, I end up just finding myself just looking at it. I think about what life would have been like for her. Because I think as we all get to a certain age, you know, and you're in your 20s, you think nothing of it. In your 30s, there might be a flicker of it there but by the time you hit 40 or mid 40s, you start thinking about, you know, your footprint, and what is your legacy? And what are you leaving behind? And I, I think about my great grandmother, and her daughter, my grandmother, and the lives that they had.
I think about, you know what we have going on today, as far as you know, politics and whatnot, and you've got all these old white men making decisions on what women are supposed to do with their bodies. I can't even begin to fathom what that must have been like for someone like her. Like what was it like to have to survive?”